Tech

Hollywood targets tech leaders in new wave of critical films

A slate of new movies and television shows examines industry titans including Mark Zuckerberg and Elon Musk as public unease over artificial intelligence deepens.

Mark Zuckerberg at the 37th G8 Summit in Deauville 018 v1
Guillaume Paumier / Wikimedia Commons, CC BY 3.0

A wave of high-profile films and television projects scrutinizing Silicon Valley executives has arrived in theaters and streaming platforms, reflecting growing public anxiety over the expanding power of technology and artificial intelligence.

The cultural shift was highlighted this weekend by the premiere of Sony Pictures’ “The Social Reckoning,” a sequel to the 2010 Oscar-winning drama “The Social Network,” CNBC reported. Projected to bring in roughly $7 million domestically in its opening run, the film stars Jeremy Strong as Meta Chief Executive Mark Zuckerberg. Rather than revisiting the scrappy dorm-room founding of Facebook, the project explores the 2021 whistleblower disclosures by Frances Haugen, who revealed internal records demonstrating that the platform prioritized engagement over public safety.

Haugen told CNBC that the movie “brought back really warm memories” and captured the feeling of that era. Jesse Eisenberg, who played Zuckerberg in the original 2010 film, declined to return because he did not want to be further associated with the tech executive, according to comments made by screenwriter Aaron Sorkin to Vanity Fair.

Documentaries and biopics target Musk, Altman and Holmes

The weekend also brought the limited theatrical debut of “Musk,” an extensive documentary directed by Alex Gibney that runs nearly four hours. Musk criticized the documentary on X, claiming the film had zero integrity. Next week, A24 plans to release “You Can See Everything,” directed by Nathan Fielder and Lance Oppenheim, examining Theranos founder Elizabeth Holmes before her prison term.

Additional projects are set to arrive later this year. On Christmas, Neon will release Luca Guadagnino’s “Artificial,” a dramatic feature depicting OpenAI Chief Executive Sam Altman and his short-lived firing in 2023. Altman responded calmly to the project in remarks to CNBC, saying:

“It looks like an awful movie, but I appreciate people’s creativity, and I really do support that. I get why people have anxiety.”

Netflix is adding to the wave with an “Instadocs” installment covering an event where autonomous OpenAI testing agents penetrated Hugging Face infrastructure, CNBC reported. In November, the streaming platform will also roll out “The Altruists,” a scripted series by Graham Moore focusing on the collapse of FTX founder Sam Bankman-Fried, according to Business Insider.

Public skepticism rises as Washington shifts posture

The cinematic reckoning arrives during a measurable drop in public enthusiasm toward Silicon Valley. A recent Quinnipiac survey found that 73 percent of Americans fear the threat artificial intelligence poses to human survival, while Pew Research reported that 54 percent view data centers as environmentally damaging. David Kirby, director of Science, Technology & Society at Cal Poly, told CNBC that narrative media historically carries major sway in shaping public sentiment, noting that corporate leaders “don’t like people questioning that they know what they’re doing.”

At the same time, industry leaders have been adjusting their stances to placate Washington. Following an executive order from President Donald Trump instructing federal agencies to substitute the term “super intelligence” for artificial intelligence, major tech executives have begun adopting the label, The Verge reported. Elon Musk pledged to change SpaceXAI to SpaceXSI, Salesforce rebranded AIForce as SIForce, and Nvidia committed research money to the newly designated terminology. Satya Nadella, the chief executive of Microsoft, also utilized the phrase in a public message addressing automated safety mechanisms, according to The Verge.

Whether these cinematic critiques will alter box-office behavior or influence federal tech policy remains to be seen as more films hit the market this winter.